__________________________________________________
☑️SURE ANSWERS SALUTION TEAM☑️Subject: LITERATURE,
☑️Pin: 5822
__________________________________________________
****************************************
=========================================
LITERATURE IN ENGLISH(DRAMA & POETRY)
======================================================
QUESTION 1
(1)
In the play "Let me Die Alone" by John K. KaraBo, the deaths of Gbanya and Yoko are significant events that contribute to the overall plot and themes of the play. In other words Here is the key points of an account of their deaths:
Gbanya's Death:
-Gbanya's death can be accounted for as a result of his involvement in a tragic accident, It is revealed that Gbanya, while attempting to escape from a dangerous situation, falls from a high platform and suffers a fatal injury.
-Gbanya, the protagonist, dies at the end of the play due to a combination of physical and emotional exhaustion.
-His death is a result of his inner turmoil, guilt, and the consequences of his actions.
-Gbanya's refusal to accept responsibility for his mistakes and his stubbornness ultimately lead to his downfall.
-His death serves as a symbol of the destruction of the old order and the need for change and renewal.
Yoko's Death:
On the other hand
-Yoko's death can be attributed to her deteriorating health condition. Throughout the play, Yoko's character is depicted as someone who is battling a terminal illness. Her death, therefore, can be seen as a natural progression of her illness and serves as a poignant reminder of the fragility of life and the inevitability of death.
-Yoko, Gbanya's wife, dies earlier in the play due to a broken heart and despair.
-Her death is a direct result of Gbanya's betrayal and abandonment of her and their people.
-Yoko's death serves as a catalyst for Gbanya's downfall, as he is haunted by her ghost and the guilt of his actions.
-Her death represents the destruction of innocence and the consequences of Gbanya's selfish desires.
The deaths of Gbanya and Yoko are tragic and poignant moments in the play, highlighting the consequences of human actions and the need for accountability and redemption.
======================================================
QUESTION 2
(2)
Foreshadowing is a powerful literary device that adds depth, suspense, and anticipation to storytelling. In the play about Madam Yoko, foreshadowing is expertly used to hint at future events and outcomes, allowing the audience to anticipate key developments and their consequences. Through subtle clues and hints scattered throughout the narrative, the playwright effectively creates a sense of foreboding and tension, enriching the dramatic experience for the audience.
One prominent use of foreshadowing in the play is evident in Gbanya's promise to pass power over to Yoko upon his death. This initial promise sets the stage for the power struggle that unfolds after Gbanya's demise. As the audience witnesses Gbanya's determination to uphold his promise and Yoko's eagerness to assume leadership, they are subtly foreshadowed about the potential conflict and turmoil that will arise regarding Yoko's succession to power.
The impending danger of Gbanya's death is foreshadowed through various ominous signs and events. The arrival of the messenger with the Governor's message and the subsequent accusations against Gbanya hint at the events that lead to his downfall. Gbanya's insistence on Yoko inheriting the chiefdom further reinforces the audience's anticipation of the turmoil that will follow his passing, setting the stage for the tragic events that unfold.
Lamboi's treachery and plot to kill Gbanya with poison are also foreshadowed through secretive conversations and hesitant actions. The audience senses the impending danger as Lamboi's true intentions become clear, creating a palpable sense of foreboding and suspense. The tension builds as the plot unfolds, leading to the inevitable tragedy that befalls Gbanya and sets the stage for further conflict and turmoil within the kingdom.
As Yoko assumes the role of chief after Gbanya's death, the challenges she faces are foreshadowed through ongoing interference from the Governor and conspiracies orchestrated by Lamboi and Musa. The audience anticipates the struggles Yoko will encounter in maintaining her reign and protecting her people, heightening the tension and suspense as the narrative progresses.
Ultimately, Yoko's decision to commit suicide serves as the climax of the play and is foreshadowed by her mounting despair and disillusionment. The Governor's betrayal and the betrayal of her own people serve as the final catalysts for her tragic end. Through Yoko's declaration of finding peace in death and the absence of mourning for her departure, the audience is foreshadowed about her ultimate fate, bringing the narrative full circle and leaving a lasting impact on the audience.
======================================================
QUESTION 3
(3)
WOLE, SOYINKA: The Lion and the Jewel Here are three instances of irony in Wole Soyinka's play "The Lion and the Jewel" And The Key Points Needed.
(i)Baroka's Impotence: One ironic element in the play is Baroka's portrayal as a powerful and virile character, despite his supposed impotence. Throughout the play, Baroka is known for his reputation as a seducer of young women. However, it is revealed that his impotence is a ruse to trick Sidi into believing she can control him. This ironic twist challenges the audience's initial perception of Baroka's power and reveals the complexities of his character.
(i)Sidi's Transformation: Another instance of irony involves Sidi's transformation from a village beauty into Baroka's wife. Initially, Sidi is depicted as a strong-willed and independent woman who resists the advances of the men in the village. However, she ultimately succumbs to Baroka's charm and becomes his wife, which is ironic considering her desire for freedom and modernity.
(iii)The Photographer's Exploitation: The arrival of the photographer from the city introduces another layer of irony. The photographer claims to be interested in capturing the essence of African beauty and culture, but he ends up exploiting Sidi for his own gain. He objectifies her and uses her image for commercial purposes, contradicting his initial pretense of appreciating and respecting African traditions.
These instances of irony in "The Lion and the Jewel" serve to challenge the audience's expectations and highlight the complexities of the characters and the themes explored in the play, such as power dynamics, gender roles, and the clash between tradition and modernity.
======================================================
QUESTION 4
In Wole Soyinka's play "The Lion and the Jewel," Kunle, also known as Lakunle, represents a modern and Westernized perspective that is often at odds with traditional values embodied by characters like Baroka. Lakunle's attitudes towards Baroka, the village chief, are generally critical and dismissive. He views Baroka as a symbol of the outdated traditions and practices that he believes are holding the village back from progress and modernization.
Lakunle often mocks and derides Baroka's ways, seeing them as primitive and backward. He is especially critical of Baroka's polygamous lifestyle and his manipulation of others to maintain power. For Lakunle, Baroka represents everything he wants to change about the village—resistance to change, adherence to old customs, and the subjugation of women.
However, Lakunle's criticisms also reveal his own shortcomings and misunderstandings. His disdain for Baroka sometimes comes off as arrogance and a lack of respect for the cultural context and the values that the village holds dear. While Lakunle's desire for progress and education is commendable, his approach is often insensitive and dismissive of the very people he claims to want to help.
In contrast, Baroka is shown to be more complex and cunning than Lakunle gives him credit for. Despite his adherence to tradition, Baroka is also capable of strategic thinking and adaptation, as seen in his interactions with Sidi and his ultimate triumph over Lakunle. This complexity challenges Lakunle’s simplistic view of progress and tradition, highlighting the nuanced reality of cultural change and the persistence of traditional authority.
Overall, Lakunle's attitudes towards Baroka highlight the tension between modernity and tradition, and through their interactions, Soyinka explores the complexities and contradictions inherent in the process of cultural change.
======================================================
QUESTION 5
(5)
The play is full with the sharp resonances of sarcasm, which may be used in a variety of ways to analyze the inner conflicts, interpersonal relationships, and social criticisms of the characters. Osborne's deft use of irony makes the play a moving examination of post-war disillusionment, class conflict, and the intricacies of interpersonal relationships.
Jimmy Porter, the play's main character, is a master of cutting wit and stinging sarcasm who uses them as both armor and a weapon in his constant fight against what he perceives to be societal injustices. Jimmy is full of caustic jabs, aimed not only at larger society structures but also at his closest confidants, Cliff and Alison. His harsh comments directed at his wife Alison and his buddy Cliff, who is a member of the working class, show a deep-seated annoyance with their perceived shortcomings and the limitations imposed by their different social classes. Jimmy expresses his dissatisfaction with the current situation through sarcasm, utilizing comedy as a front for his underlying hurt and insecurity.
Alison and Cliff, on the other hand, use sarcasm to establish their agency and defend themselves in their turbulent interactions with Jimmy. After being presented as timid and obedient at first, Alison eventually learns to use sarcasm as a tactic to question Jimmy's authority and claim her own independence. Her sardonic responses demonstrate her growing disenchantment with their marriage and with society in general, acting as a subliminal protest against Jimmy's controlling actions.
In addition, the play uses sarcasm as a kind of conflict resolution, letting individuals work through their complicated relationships without coming to blows with one another. Characters use caustic exchanges to air concerns and make their viewpoints known, rather than having open conversations. This deceptive method of resolving disputes highlights the individuals' underlying fears and the brittleness of their relationships with one another.
Sarcasm is a powerful tool for social commentary that extends beyond personal relationships. It may be used to provide biting criticism of the class divide and social mores that characterized post-war England. Osborne examines the discrepancy between society aspirations and life reality by exposing the absurdity and hypocrisy present in the strict social order through sardonic discourse. The characters' unhappiness with the ossified institutions of privilege and class is expressed via sarcasm, which satisfies their need for change and disruption.
In the end, the characters use sarcasm as a coping strategy to help them work through the difficulties in their life when things are chaotic and unclear. Characters regain some agency and empowerment through sardonic conversation, giving them a feeling of control in an otherwise hopeless and disillusioned environment.
======================================================
QUESTION 7
(7)
Friday serves as a significant day that brings to light various crucial aspects of the characters' lives and their interactions, symbolizing both routine and turning points. The recurrence of Friday in the play underscores the cyclic nature of their struggles, aspirations, and confrontations. Through different events that transpire on Fridays, Wilson weaves a complex narrative that highlights the importance of this day in shaping the characters' experiences and the overall story arc.
The play opens on a Friday in 1957, marking payday for Troy and Bono, two garbage collectors and close friends. This day symbolizes a moment of temporary relief from their labor-intensive work, allowing them to engage in their ritual of drinking and talking. The payday ritual not only cements the bond between Troy and Bono but also offers a glimpse into their shared struggles as working-class African American men. Their conversation reveals Troy's courage and determination as he questions their boss, Mr. Rand, about the racial discrimination in their workplace. Troy's desire for equal job opportunities reflects his broader struggle against systemic racism, making Friday a day of reflection and resistance.
Friday also serves as a catalyst for tension between Troy and his family. On this day, Troy's son Cory discusses his aspirations to play college football, which Troy vehemently opposes. Troy's refusal to support Cory's dreams is rooted in his own experiences of racial discrimination in sports. His skepticism about Cory's future in football exposes the generational conflict and differing perspectives on opportunity and success. This tension is further amplified when Troy informs Cory's coach that Cory can no longer play, effectively shattering his son's hopes. The significance of Friday in this context lies in its role as a day when personal and familial conflicts come to a head, forcing characters to confront their fears and desires.
The events of Friday also highlight Troy's complex relationships with other characters. For instance, when Lyons, Troy's eldest son from a previous marriage, visits to borrow money, it underscores the strained relationship between father and son. Lyons' request for financial assistance on payday reveals his dependence on Troy, while also illustrating Troy's conflicting emotions as a provider who resents yet supports his son's musical aspirations. Moreover, Bono's accusation of Troy's infidelity, sparked by Troy buying a drink for another woman, further complicates his relationship with Rose, his wife. These interactions on Fridays expose the fragility of familial bonds and the underlying tensions that permeate their lives.
As the play progresses, Fridays continue to be pivotal. In Act One, Scene Four, which also occurs on a Friday, Troy celebrates his victory in becoming the first black garbage truck driver in the city. This achievement, while significant, is bittersweet as it comes amid ongoing familial discord. Cory's anger towards Troy for sabotaging his football dreams resurfaces, leading to a confrontation that foreshadows deeper conflicts. Troy's reflection on his past, his struggles, and his responsibilities as a father and husband all converge on this day, highlighting the duality of triumph and turmoil.
In the second act, the unraveling of Troy's life is marked by significant events that also revolve around Fridays. Troy's affair with Alberta and her subsequent pregnancy introduce a new layer of complexity to his relationships. When Alberta dies during childbirth, Troy is left to face the consequences of his actions. Rose's decision to raise the baby, Raynell, while distancing herself emotionally from Troy, marks a turning point in their marriage. The culmination of these events on Fridays underscores the day’s role as a symbol of both routine and disruption, reflecting the ebb and flow of Troy's life.
======================================================
(9)
In the short story "A Government Service Driver on His Retirement" by Ken Saro-Wiwa, the government driver's reward upon retirement and death is a complex issue. Here are key points of some arguments for and against:
Arguments for:
-Dedication and loyalty: The driver has served the government faithfully for 35 years, deserving recognition and reward for his dedication and loyalty.
-Hard work and commitment: He has worked tirelessly, often under challenging conditions, and has been committed to his duties.
-Entitlement: After decades of service, he has earned his pension and other retirement benefits as a matter of right.
-Dedication and loyalty
-Hard work and commitment
-Entitlement
Arguments against:
-Corruption and complicity: The driver has been complicit in the corrupt activities of his bosses, profiting from their wrongdoing and turning a blind eye to their abuses of power.
-Moral culpability: By supporting and enabling corrupt officials, he shares some responsibility for their misdeeds and the harm caused to others.
-Unworthy of reward: Given his complicity in corruption, some might argue that he does not deserve a reward or praise for his service.
-Corruption and complicity
-Moral culpability
-Unworthy of reward
Ultimately, whether the government driver deserves a reward is a matter of moral judgment, considering both his dedication and loyalty, as well as his complicity in corruption. The story highlights the complexities of accountability and moral responsibility in a corrupt system.
======================================================
QUESTION 10
(10)
The story "The Leader and the Led" by Chinua Achebe, presents a critique of authoritarian leadership and explores the theme of resistance to oppressive leadership styles.
The rejection of the lion's leadership qualities may symbolize the rejection of autocratic, domineering, or self-serving leadership traits. It could also reflect the desire for more inclusive, fair, and participatory forms of leadership within the animal community. Here are the key points they include:
-Autocracy: The lion's dictatorial and oppressive rule, making decisions without consulting others.
-Selfishness: The lion's prioritization of his own interests and needs over the well-being of the other animals.
-Injustice: The lion's unfair treatment of others, using his power to exploit and oppress.
-Arrogance: The lion's pride and arrogance, believing himself to be superior to others.
-Lack of empathy: The lion's failure to understand and consider the perspectives and needs of the other animals.
The animals reject these qualities, seeking a more inclusive, fair, and compassionate leadership that values the well-being of all.
======================================================
QUESTION 12
(12)
In "The Journey of the Magi," the poet T.S. Eliot portrays the suffering of the travellers as a necessary part of their spiritual journey. The poem describes the harsh winter conditions that the Magi face as they travel to Bethlehem, including "the worst time of year for a journey, and such a long journey."
-The poet also mentions the "camels galled, sore-footed, refractory" and the "cities hostile and the towns unfriendly" that the Magi encounter on their journey.
-These descriptions suggest that the Magi are facing numerous obstacles and challenges that make their journey difficult and painful.
-However, the suffering of the Magi is not portrayed as a punishment or a curse, but rather as a transformative experience.
-The poem suggests that the Magi's suffering is necessary for them to reach their spiritual destination and experience the birth of Christ.
-The poet writes, "We returned to our places, these Kingdoms, / But no longer at ease here, in the old dispensation." This suggests that the Magi's journey has changed them, and they can no longer go back to their old way of life. Overall, the poem portrays the suffering of the Magi as a necessary part of their spiritual journey and a transformative experience that leads to a deeper understanding of the divine.
======================================================
Completed.!!!!!
www.sureanswer.com.ng Loves you All.
We Remain The No1
www.sureanswer.com.ng
Loves you All
=========================================
No comments:
Post a Comment